Posts Tagged ‘Austin Kleon’

Hat Racket

Wednesday, September 8th, 2010

Here’s a handmade response to a post by my friend Austin Kleon.  In this post, he refers to visual ways of portraying one’s resume or professional identity, particularly through Venn diagrams.  I decided to use hats.

My Hats

Light & Dark

Thursday, March 4th, 2010

March 4, 2010.

Here are images from a handout I used yesterday in my American literature class; it contains two visual tools for plotting narrative development and characterization.

The top one was inspired by an entry from Austin Kleon’s blog.  The second is just a line on which we can organize characters based on how we think they might represent light (positive/goodness) or dark (negative/evil) virtues.

Auld Lang Syne

Thursday, December 31st, 2009

December 31, 2009.

2009 to 2010 New Years

Seems most folks are glad to wave goodbye to 2009, but …….

(A word on the drawing: I liked how expressive the eyes are when using very simple marks–the Xs and ?s for eyes. For more on drawing faces, see this from my friend Austin Kleon.)

It’s Officially Not Mine and Mine

Wednesday, October 7th, 2009

October 7, 2009.

Guest Cartoon Wednesday

How It Works

This here is a photo of an original blackout poem print by Austin Kleon I just bought from 20 X 200. That there blue tag with the poem is proof of authenticity. You can see more of his blackout poems here. His book of blackout poems is coming out in April 2010.

Graphic Notes – AEPL 2009

Thursday, August 6th, 2009

Thursday, August 6, 2009.

Here below are three attempts at graphic notetaking. These are from three sessions at a conference I attended last week at the YMCA of the Rockies in Estes Park, Colorado.

Irene and Donna Opening Plenary AEPL 2009

The conference was organized by the Assembly for Expanded Perspectives on Learning (AEPL), a group for which I’m treasurer and membership chair.

Peter and Mary AEPL Duet and Believing Game

I was inspired to take notes in this format by Austin Kleon–here are some examples of his.

And one last example of mine:

Jim Davis AEPL 2009

I found this a very interesting way to try to capture my experience of these sessions–rather than try to capture exactly what took place.  I also found that I began in the center and then started in the top right corner and continued clockwise around that page.  I’m think that it’s somehow a result of a top to bottom pattern I’m used to taking in regular notetaking.  In the future, I’ll try to take notes in a landscape format and see if that makes a difference.

Visual Thinking Conference 2010

Monday, July 27th, 2009

Monday, July 27, 2009.

Here’s a two-page flyer I designed for a conference I’m organizing next year.

Visual Thinking 2010 conference flyer_Page_1

Visual Thinking 2010 conference flyer_Page_2

Believing in What I Have to Offer

Sunday, July 12th, 2009

Sunday, July 12, 2009.

Today, after reading Austin Kleon’s blog on entrepreneurism and sharing knowledge, I began to think about the kind of workshops I can offer area secondary schools when I begin my position at Angelo State University next month.

And this thinking led me to think about the workshop I’ll be offering later this month in Estes Park, Colorado at the YMCA of the Rockies Conference Center for a conference organized annually by the Assembly for Expanded Perspectives on Learning.

Casting in fast water
(Here I am flyfishing on the Roaring River during a break at the conference in 2007)

The theme for the conference is “The Believing Game as a Model for Thinking” and is based upon Peter Elbow‘s work and ideas.  According to Elbow, the believing game is

the disciplined practice of trying to be as welcoming or accepting as possible to every idea we encounter: not just listening to views different from our own and holding back from arguing with them; not just trying to restate them without bias; but actually trying to believe them. We are using believing as a tool to scrutinize and test. But instead of scrutinizing fashionable or widely accepted ideas for hidden flaws, the believing game asks us to scrutinize unfashionable or even repellent ideas for hidden virtues. Often we cannot see what’s good in someone else’s idea (or in our own!) till we work at believing it (source).

the believing game is the disciplined practice of trying to be as welcoming or
accepting as possible to every idea we encounter: not just listening to views different from our
own and holding back from arguing with them; not just trying to restate them without bias;
but actually trying to believe them. We are using believing as a tool to scrutinize and test. But
2
instead of scrutinizing fashionable or widely accepted ideas for hidden flaws, the believing game
asks us to scrutinize unfashionable or even repellent ideas for hidden virtues. Often we cannot
see what’s good in someone else’s idea (or in our own!) till we work at believing it.

At the conference, I’ll be presenting a workshop titled “The Believing Body: Freedom and Faith in Reading” in which I introduce connections between reading metaphors and how readers develop belief in the value of reading.

In this workshop, I will lead participants in a reflective exercise on the metaphors we use to think and talk about our experiences in reading.  I will ask them to identify the metaphors they use and the metaphors available in texts I will supply.  I will conclude by asking them to consider how they might incorporate attention to reading metaphors in their teaching.

My research suggests that all metaphors for reading are grounded in a core metaphor “reading is movement” and that they can be organized into five categories: immersion, accumulation, manipulation, transportation, and transformation.  (Reminder: I need a graphic vocabulary for these metaphors!)   In other words, the metaphors we commonly use to conceptualize reading describe

  • how we move into texts—“ I lost myself in that novel.”,
  • how we move texts into us—“It was like I was devouring the novel whole.”,
  • how we move texts for our own purposes—“In this project, I will perform a gender analysis.”,
  • how texts move us to new experiences—“I felt like I was floating down the river right along with Huck and Jim.”, and
  • how texts move us to become new selves—“My life was completely changed by Thoreau’s Walden.”

In addition, if all reading metaphors are grounded in the “reading is movement” metaphor, freedom is also a central concept in reading; that is, if reading is movement, the freedom to choose what we read and the freedom to respond to texts as we wish are important expressions of and experiences in valuing reading.  The opposite, then, is also true.  If our choices in reading are limited or controlled by others, we do not and cannot practice the intellectual and emotional freedoms available in reading.

Young readers who may have developed powerful relationships with reading, often experience reading as oppressive and lose faith in reading in school when their choices and movements are dictated to them.  (When students claim they are “bored” by a text, they are describing a bodily experience: physical oppression; that is, they feel “drilled” by the experience.)  However, a reader’s faith in reading grows and strengthens when reading is experienced as free movement.  In these cases, readers know reading intuitively as the conceptual embodiment of freedom and faith.  They believe it in their bodies.

Given the ideas Austin commented upon in his blog and the kinds of presentations I’ve given in the past, I believe that this workshop will have value to area secondary school teachers when I move to Texas.

More to the point, I can see myself dividing this workshop into two expanded workshops.

Picturing Reading Relationships: The first workshop would be designed for English teachers who have students who struggle with reading.  It would focus on helping students use drawing to understand the relationships they have with reading.  Then I would introduce 9 reading response strategies that can help students build more productive relationships with reading.

Metaphors We Read By: The second workshop would be designed for secondary teachers across the curriculum who have students who struggle with reading.  It would introduce the five basic metaphors for productive reading (and their opposites) and then provide strategies for helping students use drawing to respond to texts more productively.

I will think more on this and develop a brochure to send to area schools, as well as, a page on my academic website that describes these offerings I believe will find good audiences in Texas.

Reading Visually: Part 2

Monday, June 1st, 2009

Monday, June 1, 2009.

This is part 2 of a 2 part post on methods for incorporating visual reading responses in college writing and literature courses.

In the previous post, I explained how I have prompted students to respond visually to reading assignments and how I had developed a series of icons to represent various response strategies I wanted my literature students to practice.  I also explained how these ideas were influenced by my reading of  Dan Roam’s The Back of the Napkin.

Here, I’d like to review another method for prompting visual response from students.   I developed this method over the last week in response to a 3 part webinar I attended presented by VizThinkU, and titled “Visual Note-Taking 101.”  I was initally taken by the first presenter, Austin Kleon, and his story “The Battle Between Pictures and Words.”

In addition to this story, Austin also shared his visual note-making methods with examples of his mind-maps created in response to live events and presentations, to television documentaries, and to books he has read.  Many of these are available on his flickr site, but I wanted to show 2 of them here.  First, his mind-map of Steve Martin’s recent memoir (click on all images below for larger version in flickr):

born standing up by steve martin

The second example below is a mind-map of a panel presentation at the most recent SXSW Conference titled “Shift Happens: Moving from Words to Pictures.”

Shift Happens: Moving from Words to Pictures - SXSW Interactive 2009

These examples got me thinking about how I could help my students use similar techniques when responding visually to the texts I assigned them.  So I thought I would try to create a mind-map of the first text I was going to assign my students this coming fall:  Al Gore’s Foreword to American Earth: Environmental Writing Since Thoreau.  Here is my first rough sketch.

Gore Foreword Reading Visual draft 1

Here is my second attempt.

Gore Foreword Reading Visual draft 2

And my mind-map at last with more images, colors, and distinctions between parts.

Gore Foreword Reading Visual

However, from the experience of drawing this mind-map, I realized that the web or networked drawing with the central idea or character in the mind-map core might not capture completely the logic of every text or event witnessed.  By that I mean, I discovered that a mind-map or web of words and images is really only one of many available visual formats for documenting a response to or analysis of the text or event. 

Looking again at Gore’s Foreword, I realized that he was not only providing a quick introduction to the book, he was also equating himself with other great politicians, writers,  and environmentalists in American history.   Consequently, a Venn diagram seemed to be a more appropriate format for representing Gore’s ideas.  In addition, this format prompted me to expand what I take to be the implicit thesis of his foreword.

Gore Reading Visual Venn

Next, I began to think about all of the possible visual formats I might recommend to my students when they were responding to the texts I assigned them.   As I began to sketch out these formats, I returned to consider again Dan Roam’s The Back of the Napkin and his 6 ways of seeing and showing, and to the VizThinkU webinar, and especially Austin Kleon’s reference to Kurt Vonnegut’s method for graphing plot lines

Here are the 14 formats I’ve developed so far.

Let me know what you think.

Introducing The Illustrated Professor

Sunday, May 17th, 2009

Sunday, May 17, 2009.

I decided to begin this blog after attending earlier this week a webinar at www.vizthink.com titled “Visual Note-Taking 101.”   

This three hour webinar reminded me how much I have valued visual thinking in my research and in my teaching. 

I was particularly interested in one of the presenters, Austin Kleon, and he sparked an interest in developing a graphic vocabulary that I can use in my teaching–I’ll talk more about this later.  

His presentation titled “The Battle Between Pictures and Words”  was also very interesting.

View more presentations from Austin Kleon.

Given this webinar experience, I have decided to incorporate more visual ingredients into my academic life, something already evident in my new website: www.laurencemusgrove.com.